LOS ANGELES, CA – PB Hassan’s resume as a musician reads like a Top 10 list of greatest collaborations. He’s worked with super producer Dr. Dre, opened up for Notorious B.I.G. and recorded numerous tracks with hip-hop producer "Hitman" Howie Tee. He’s collaborated on movie soundtracks for “House Party 3,” “Half Past Dead” and “Deuce Bigalow: Male Gigolo,” among others. And he's been on many mixtapes hosted by some of the industry's hottest DJs, including DJ Envy (The Breakfast Club) and DJ Clue (Desert Storm Radio). And what’s more, he’s toured all over the world as a hype man for artists such as AMG and Domino. After decades of success in the industry, he’s ready to make a mark in the world of hip-hop as a solo artist. His latest single, “Birthday Bash”, produced by the Legion is one that he knows will announce his talent to the world in ways that will reverberate for a long time. “Every day is someone’s birthday,” he said. “Every day someone is born. And everyone knows the traditional song of ‘Happy Birthday To You.’ Mine is the hip-hop, ghetto, street version of a Happy Birthday song. It’s something I came up with and I think it’s a hot record. It has a hot hook and a turned up chorus and I think it will reach everyone on a worldwide level. It’s kind of one of those hip-hop anthems – like back in the day when there were a lot of hip-hop anthems. It’s definitely something you’d hear in the clubs because that’s where people go to celebrate a birthday. It’s a song that you’ll hear at any kind of social gathering, club setting or any party. It’s a song about celebrating life and turning up.” PB Hassan said since he released the single about a month ago he’s constantly getting comments from people on Facebook in relation to their birthdays. Fans have been sending pictures of themselves at birthday parties dancing to the single, or using the single as a background song over videos of themselves celebrating a birthday. After spending so many years working with other artists, he’s glad to have the chance to showcase his talent in the forefront. He’s come a long way from his time as a kid growing up on the East Coast and the West Coast watching the birth of hip-hop through social gatherings where someone would bring a boom box and put on LL Cool J, Dr. Dre, or the latest hottest instrumental and a cipher battle would bust out. It was a lifestyle he was enamored with from a young age, and when he started putting together his own raps it was soon apparent that he had a natural talent for wordplay and rhythm. “PB was my nickname growing up because I used to spit and one guy told me one time that I was so good that I sounded like a Poetic Beast,” Hassan said. “Hip-hop and wordplay is all poetry – poetry with rhythm. I’ve always enjoyed exercising my poems and getting feedback, and when people refer to me as a poetic beast it just validates everything I’m trying to accomplish.” Toward that end he hopes that “Birthday Bash” will continue the evolution of hip-hop and bring back some of that genre’s roots by encouraging people to revisit the social gatherings of the past and come together over an anthem song such as this one. “I was always attracted to having a good time and turning up,” he said. “The artists from back in the day that you remember were the ones that were always doing things to have a good time, making music from their experiences or what was going on in their environment. At the end of the day I want to be an artist who is known for giving the world great music and being diverse. The energy, the delivery, the word-play – I’m very charismatic and I have a strong voice and I think all of those things will give fans something to enjoy.” Fans who want to find out more about PB Hassan can visit his website at artistecard.com/pbhassan1, or check out his music on his Soundcloud or Reverbnation pages. Fans can also follow him on Facebook, Twitter or Instagram for updates about upcoming music releases or live performances.
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BROOKLYN, NY – Jahi Chambers is more than just a bartender in Brooklyn. Though the profession has been how he’s put food on the table for the past few years, it’s merely a means to an end until he takes his career as a musician to the next level. His new mixtape “Bartender In Brooklyn” is the next step toward making that a reality. The 11-song project includes singles all written from the perspective of a bartender in the city of Brooklyn who interacts with a lot of girls. Every aspect of the mixtape was developed by Jahi – from beat-making to songwriting to producing and mixing. And though he considers himself pretty good at mixing drinks, he wants the world to know that he’s even better at mixing and making music. “I have a lot of industry and professional experience,” Jahi said. “I’ve worked with some big names and had some good opportunities, and this is my chance to step out on my own and show the world my own perspective and honesty. My approach to music – the way I sing and the way I write, and even my approach to every aspect of it – is what sets me apart from anybody else out there. And this mixtape is a great starting point to showcase who I am and where I want to go.” The singles on the album are diverse in their sound and content. Some of them are a little deeper, Jahi said, because some relationships are a little deeper. Others are more broad and don’t necessarily pertain to a particular girl. The lyrics are unique to Jahi and are drawn from his life experiences and the stories of close friends. Some of the songs are hyperboles, while others hit very close to home for the hip-hop artist. And while a couple of the songs would play well at a club, more of them are for listening to and just chilling – and in fact a couple of them are closer to R&B hits than hip-hop. “I kind of toe the line between hip-hop and rap,” he said. “A lot of that is because of my vocals. But ultimately it’s a mixtape with really good vibes that forces you to do some introspection. This project was all about sharing who I am and seeing if people can relate. I wanted to create some type of dialogue between me and the listeners in that regard.” It’s quite a journey he’s been on since his time as a young boy discovering the power of music when Slick Rick came on the radio at a Memorial Day family party. The influence of his parents’ diverse music collection – anything from Jamiroquai to Rage against the Machine to Parliament- Funkadelic to Queen Latifah, and even some Fleetwood Mac and Van Halen – continued to impress on him the power of music to elicit emotion. Eventually he started learning how to DJ and was introduced to making beats on FruityLoops. While working odd jobs over the years – from running a retail skate shop and apparel store to working for a website – he always created music. “Bartender In Brooklyn” is the culmination of a lot of that journey. Fans who want to get a sample of Jahi’s music can do so by visiting his Soundcloud page. Fans can also follow him on Facebook, Instagram and Twitter for updates about future music releases. LONDON, ENGLAND – It may say London, England on his mailing address, but Ryan Koriya is a man of the world. Originally hailing from Zimbabwe, Koriya has spent the better part of the past decade traveling the world, sharing his music with others in an effort to help people realize the joy of life and overcome their struggles and hardships. It’s a mission that has earned him the title “Soul Mechanic.” In addition to making a documentary about his travels and exploring the deeper side of music that connects people all over the globe, Koriya has also launched a single called “Drowning In Space” that has been inspiring people in all corners of the world. The music video for the single – which can be found on Koriya’s YouTube page and already has more than 75,000 views – was shot using a GoPro camera as he traveled more than 10 countries per year over the past four years. It’s a fast-paced video with shots from international locations all over the world – featuring people and cultures and locations that most people rarely get a chance to visit. Anyone who watches it will be immediately be sucked in to the sights and sounds and experiences of Koriya’s journey as he shares his music with the world. “It’s a video that really demonstrates where I was trying to go with the song,” Koriya said, “which is that it’s a narrative on the modern social climate and where people are really losing touch with each other. Relationships all over the world are dying as opposed to getting stronger as our social media interaction grows and grows. It has made me feel as if I’m someone who has come far and who is living the dream life, but I’m drowning in space all alone and I’m constantly asking, ‘Where’s everybody else?’ I’ve frequently asked myself why I feel lonely, and I know that most people who pursue a dream tend to be lonely because they’re pursuing their specific destiny. But I’m about people and connecting people and bringing people together, and I want my journey as a musician to reflect that. I love that people call me the Soul Mechanic because it means I’m succeeding at uplifting people and sharing a positive message and helping people to have a better life.” Koriya’s early forays into this lifelong mission started during his youth in Zimbabwe, and the frustrations with the inaccurate perceptions of who he was came much more after touring internationally. The need to make the documentary came from that desire to help portray a more accurate image of who he is and what his culture is, opposed to the outdated clichés, he said. In many ways his outlook on life is mirrored by his approach to music. He is adept at multiple instruments and has taught himself how to mix and master his own songs. Today he considers himself a “one-man corporation” in that he plays all the instruments, produces all his beats, engineers everything, tours on his own and even records his own music videos while making a documentary. “And it’s all about spreading good energy,” he said. “The opening quote in my music video says, ‘Love and happiness are like liquid emotions that you can’t have without spilling some onto those around you. So spill away, world … just spill away! It’s up to you to spread what you have, because it will come around. That’s how it works.” Fans who want to learn more about Ryan Koriya can visit his website at ryankoriya.com, or follow him on Facebook, Instagram and Twitter to stay up to date on new music releases or live performances. Fans can also check out more of his music on his Soundcloud page, or on his YouTube channel. WEST HOLLYWOOD, CA – It’s rare for the music industry to have the perfect balance of musician and businessman. More often than not a person is either good at one or the other, but rarely both. Not so for U-Sity – a business entrepreneur who not only has seen success as the CEO of Hit The Block Entertainment, but also is one of hip-hop’s rising stars. His new single “What A Life” is a testament to the success that can come from hard work and persistence – two things that he both exemplifies in his personal life and in his career. “The song explains how I came from nothing and hardships and now I’m taking trips on first-class going to LA and driving foreign cars and at the end of every day it’s like, ‘What A Life!’” he said. “’Hit The Block’ is a name I chose because it means hard work. Everybody hits the block – when you wake up and go to work and do anything it takes to provide for your family, that’s hitting the block. You have to get up and go to work and do what you need to so that you can eat at the end of the day. It’s a universal saying for a group of people who recognize hard work and what it takes, and now that group of people are able to travel the country and make good music.” Hit The Block Entertainment started in 2010 when U-Sity first started booking Midwest artists for shows in his hometown of Minneapolis, Minnesota. He said growing up in Minneapolis didn’t afford him many opportunities to explore rap music. He remembers listening to Top 40 radio and hearing songs from Tupac or 50 Cent or even MC Hammer and wanting to know more about this music form that he was falling in love with. Eventually he went to college and pursued a degree in music business and music appreciation, and upon graduation realized that he had an opportunity to create avenues of expression for other artists like himself right in his own back yard. He began promoting and hosting events throughout the city, building a network within the music industry and collecting fellow creatives to his coalition. Applying his own mission statement to the work, he ground out day-by-day the hard work it took to expand his business. Eventually he began to catch the eye of bigger labels and music executives, and found himself being invited to travel frequently to Los Angeles to collaborate on singles and other projects. Now seven years later he has a library of his own music that he puts up alongside the archives of songs he’s helped other artists produce. “What A Life” is the most recent single, with others such as “Plugged” and “Famous.” He knows that when people hear his music they’ll see a diverse artist who’s bringing a new sound to the world of hip-hop. That’s the theory behind his name – an abbreviated version of the word “university,” which he uses to describe himself as a universal, “all around” artist who can write all types of records and who writes hit songs for artists all over the world. To find out more about U-Sity, fans can visit his website at u-sity.com, or follow him on Facebook or @usity on Instagram. Fans can also purchase some of his new singles on iTunes and Spotify. Middle Tennessee artist represents ‘Frequent Flyers Lifestyle’ with new single ‘Rolling Stone’2/11/2017 MURFREESBORO, TN – Positivity, creativity and good vibes. That’s the backbone of the Frequent Flyers Lifestyle brand and its stand-out artist, Jitsu Gaiden. Hailing from the small town of Murfreesboro – just 35 miles from Nashville, Tennessee – Jitsu is an up-and-coming hip-hop artist who creates music for a widely diverse audience. “The music I make is attractive to anyone,” he said. “Black, white, Hispanic … it doesn’t matter. We’re bringing diversity together and creating great things. I have a creative mind and that creativity comes out behind the brand, which is made up of all kind of unique people who are representing the Frequent Flyers Lifestyle.” He said many from the area have begun to recognize him and his crew because of the signature backpacks that they always carry with them. Similar to “backpack rappers” from a few decades ago, Jitsu and his friends are trying to create a persona of artists who are always working, always creating and always bring forward new music. One of the most recent hits he’s released to the world is a single called “Rolling Stone.” It’s one of the singles off the album “Doped OWT,” which is a collaborative album between Jitsu and producer Beeks Vybe. The album includes features from Tra Norwood, JohnnyBoiWonder and Evan Dupri. It’s an album that he said opens the doors for his fans to bond with his music on a deeper level while creating a medium for them to live his life experiences through his music. “’Rolling Stone’ is a song that talks about past relationships,” Jitsu said. “Right now I’m focused so much on becoming an up-and-coming artist that it demands all my time. I’m grinding and taking care of business – hustling and traveling and staying up late nights. Because of that I can’t commit to deeper relationships. I have to take time off from romantic relationships and sacrifice some of those things so that I can chase after my dreams and go after my goals. That’s where the name of this single comes from – even though I’m working hard, I’d rather be rolling with you. I just hope that you understand I’m out here working on my career and you’re still with me and staying loyal. I hope you understand why I’m married to the game right now and if I have to do anything to further my career I’m gonna’ do that first.” Jitsu said the single is one of those songs that just let you sit back and groove, though it has a bounce to it. “It’s real groovy,” he said. “You can groove to it. It’s one of those beats that I’m constantly drawn to because it’s different. I love hearing different beats – different beats put me in different moods and I could freestyle all day if I wanted to. But weird, unique sounds intrigue me and make me want to write. This song is one of those that were born from that process, and like most of my music it tells a story.” Appropriate for an artist whose name is Jitsu Gaiden, which he said is an Asian translation for “technique” and “story.” “I’m telling my story through the technique of my music,” he said. “I love the Asian culture and I grew up watching all the Bruce Lee martial arts movies and Dragon Ball Z. When I was trying to think of a stage name, I wanted it to be original and unique. I thought if I could make myself into a character, it would be weird and cool to be an anime character. When I started looking up Asian words I found the meaning for Jitsu Gaiden and it seemed perfect.” Fans who want to check out some of Jitsu’s music and watch the music video for “Rolling Stone” can visit his website jitsugaiden.net. Fans can also follow him on social media on Instagram, Twitter and Facebook for updates about new music releases or live performances. MINNEAPOLIS, MN – The origins of Suga Shane’s nickname are more simple than you might think. While it is a name that he uses because of how well it rolls off the tongue, it originally started as a nod to his eating habits. “I always keep a bag of sugar with me and pour it on everything,” said the R&B artist from Minneapolis, Minnesota, who originally was born and raised in Waterloo, Iowa. “All throughout high school I’d always put sugar on my food – even my chips. Plus, cake is my favorite food. So long before I even had a music career I got that nickname. But it’s a good one and everybody knows me by that name so I’ve stuck with it.” Today Suga Shane wants to be known for more than just quirky eating habits. He’s ready to display to the world an up-and-coming artist who’s sick lyrics and unique sound is something that people need to sit up and take notice of. His new 15-song album, “Streets to the Sheets,” is an R&B-infused project that hearkens back to the sounds of the 1990s. Though a wide variety of artists have influenced him over the years – including Tre Songs, Michael Jackson and Ginuwine – it was the R&B greats of the 1990s who first introduced him to a love of music. “I was born in 1992 and coming up my parents listened to 90s R&B,” he said. “It’s soulful and harmony-based, which is how I want my music to be. My style of R&B is different from the typical 2017 style. Mine comes from the old school. You’ll hear falsetto and four-part harmonies. In fact, I do vocal training every week and you’ll hear those good vocals on this album.” Suga Shane said his journey to professional artist was a different route than what might be expected for a guy from a family filled with musicians. Both his mother and sister are Gospel singers, and his brother is a rapper. But Shane was always an athlete and played basketball throughout high school and got a scholarship to play in college. But he injured himself in college and lost his scholarship. Instead of letting that experience drag him down, he turned his attention to something he’d always been good at but had never pursued seriously – singing. By the winter of 2013 he’d put out his first project, and he just kept building and building from there. Not long after a record label discovered him and signed him. NU Music Group LLC released his first mixtape “Layback Music 2.” He began gaining a large amount of fans and supporters, and today he is in high demand for paid performances and song features because of his catchy hooks and 90s style that infuses his own harmonies. It also helps that his lyrics are laced with sexual content and he has the looks to drive the girls crazy. “My first single is called ‘Sex to Blame,’ and it’s one of those songs that calls out those dudes who have a lady who is unsatisfied,” Suga Shane said. “The song says my sex isn’t the same as another man’s. Women want to come back to me because I’m not hitting her with the stuff of another man. I’m more special and better than any other man.” The music video for the single highlights this idea, following Suga Shane through a reenactment of the popular 90s movie “How to be a Player” and watching as he has multiple different women in different scenes. Though it’s a song and video that he hopes fan have fun with, at the end of the day his music is more about connecting with people. “I want them to feel it,” he said. “I want them to really get the soulful side of everything I say. Some people have writers or write music that isn’t true to them. Mine is real stories and experiences I went through. I create music that helps you create pictures and visuals to see what I’m talking about. There’s a real-ness to it. It’s not cliché. When you listen to my music you can feel the real-ness in the way I sing and the lyrics I write and how I say things. You can feel where I’m coming from.” Fans who want to check out “Streets to the Sheets” can purchase the album in iTunes, or download it via Catapult Distribution. Fans can also check out the music video for “Sex To Blame” on Suga Shane’s YouTube page. To find out more about upcoming music releases or live performances, fans can follow him on Facebook @officialsugashane, on Twitter @SugaShaneLBM, on Instagram @officialsugashane, and on Snapchat @Sugashane_3203. LONDON, ENGLAND – If you want some insight into London’s hottest new hip-hop artist Karim Tanoe, all you have to do is look at the title of his most-recent EP. It’s entitled “MUAHAHAHA; In Your Face! ,” and it’s a project that he said is a pre-emanate strike toward the music industry in a way that announces to the world that he’s here and he’s ready to make a difference with his unique sound. “The name of the project comes from the sound of any triumphant laugh you’d have as a villain,” the London-based rapper said. “I wanted to use that concept about acknowledging fears and scheming to eliminate them. I don’t believe in a genre-box of what you’re ‘supposed’ to sound like or look like. Once you’re comfortable in your own skin, then ‘F__k you!’ is no longer an acceptable defense mechanism.” To further illustrate his point, Tanoe’s main single off the album – “Prisoner No. 4” – explores the concept of destiny and challenges the listener to take an introspective look at what it is that’s keeping them from realizing their dreams. “I basically wrote it by imagining a conversation with destiny – as if she was a supplier and could provide us with anything,” Tanoe said. “If you could get everything you wanted, exactly how you want it and whenever you want, then there would be no point as humans to be in existence in the first place. We are creatures who evolve through trials. A prisoner is someone who is restrained and does not have freedom in whatever they do. And No. 4 is symbolic of going back to your roots – the place you came from. The whole idea is that we might be prisoners in terms of our lust for materialism, but if we can go back to our roots and maneuver without giving in to materialistic ideals, we can have substance in our lives.” Most of Tanoe’s work takes an introspective, conscientious look at life. His lyrics challenge the listener to think more deeply while providing a sound that can’t be ignored. With this new EP, Tanoe said he was trying to present something “a little lighter than what I’d normally write,” though the lyrics still have plenty of meat for fans to digest. “I went for something that would taste good on the first bite rather than something you’d have to live with and chew on for awhile,” he said. “I think it’s something that people will like immediately and vibe with, and if they dig into the lyrics a little bit and actually go a lot deeper, they’ll see a deeper meaning. I like using those kinds of contradictions in music.” Originally from the Ivory Coast in Africa, Tanoe has traveled from place-to-place for much of his life – living in Cameroon, Senegal, Togo, Nigeria and Manchester before settling in London about four years ago. The musical influences from those places have all contributed to his unique sound, he said, and help him to stand out from a crowded hip-hop industry that, in his opinion, sounds so similar that it’s almost hard to discern one artist from another. “I always want to bring something more to people than just what’s on the surface,” he said. “At first glance with my music you can take it word-for-word, but when you dig in and appreciate it – however it speaks to you, that’s the way I want you to feel. And at the end of the day I want my music to help you realize that you have a choice rather than a specific path that someone is trying to direct you toward.” Fans who want to sample the EP can check it out on Tanoe’s Spotify page. Fans can also follow him on Facebook, Twitter and Instagram for more updates about new music releases or live performances. ORLANDO, FL – While growing up on the streets of Philadelphia, young Anthony Jake Norman Brooks was always interested in Greek Mythology. He was a huge fan of the television shows “Zena” and “Hercules.” Over the years as he began to study more and more about the Greek Gods, he found himself increasingly drawn to the persona of Zeus. “He’s the one guy who had no laws,” Brooks said. “Everyone else had a rule, but Zeus had nothing. A lot of my life I’ve been following other people’s rules. I was in the military for eight years – I enlisted right after high school – and I’ve never had much of a chance to live and do what I want. When I got out of the military and decided to pursue music full-time, I knew I had to figure out how to re-brand myself. Even going by my real name feels like I’m in a box. But being Zuez means people don’t know what to expect. It’s lawless. And that’s how I want my music to be represented. You can’t label my style, you just have to sit back and enjoy it.” Fans will be able to enjoy a number of his new singles when they purchase his new album “Holy S#*T.” It’s a project that he said mixes a variety of hip-hop elements with some lyrical mythology undertones. He describes it as “old age with new age millennial kind of sounds.” More than anything it showcases his unique style – which, in his opinion, can’t be stereotyped or put in a genre box. “You’ll hear one song and then go to the next one and be like, ‘That didn’t sound like that last one!’” he said. “The goal is that every song doesn’t sound like the last one because I don’t want you to hear the same thing twice. You have to sit in your seat and wait and be surprised. Don’t try to box me into anything specific. There aren’t a lot of artists who think like that and do that. They’re going for what works. I want to create things I enjoy, and when others hear me they want what’s next because they’re excited for what they’re hearing.” Along those lines, Jay Zuez throws all kinds of musical elements into his new album. There’s a little bit of jazz, a little bit of hip-hop, a little bit of orchestration, and a whole lot of love for the process of making music. The opening single which shares the name of the album, “Holy S#*T,” pulls a reference from the movie 1990s-era movie “Don’t Be A Menace,” and features a “church theme” with an up-tempo vibe. Singles “Woah” and “Want It All” are more club-type songs; while singles “Iconic” and “Pressure” have a more pure hip-hop vibe and tackle the issue of gentrification. “It’s just a blend of sounds,” he said. “It’s going to vibe people’s insight into the kind of music I’m making and the direction I’m going. It’s all leading up to a second project that’ll be more in-depth and will detail my journey. I have a lot of talent and a lot to offer the world. This is chapter one … in fact, it’s so early in my career that this is almost like the table of contents. There’s so much more good music to come from me. Just wait.” Fans who want to sample some of Jay Zuez’s music can visit his Soundcloud page, or purchase his album “Holy S#*t” on iTunes, Spotify, Google Play and more when it drops Feb. 15. Fans can also follow him on Facebook, Twitter and Instagram for updates about future music releases and live performances.
After a brief hiatus from the music scene; SMG's front runner STABLE is back, and he's stirring up the scene something crazy, and he hasn't even dropped "Made in Harlem 2" yet.
As a special treat for the fans, STABLE drops an exclusive off MIH2 called "Know What I Been Through" feat Shise FOE; Produced by Germany Beat duo DopeBoyz Muzic. Album drops 2/20/17. Pre-sale's go live 2/13! PHILADELPHIA, PA – When Michael Anderson was a kid, friends used to call him Little Mike. At age 8 he discovered that there was going to be a talent show at the YMCA after school program he attended regularly, but at the time he couldn’t do anything special. He wanted badly to be in the show, so he got together with some boys who were going to rap and asked if he could rap with them. They gave him something to say, and he went home and developed those few lines into a rap. The show never ended up taking place, but the seeds of his career as a rapper were planted and Little Mike was born. It was a nickname he went by for many years, but as he began to become serious about music during his teenager years and learned more about the industry, he realized that he was one of many “Littles” out there in the world. He didn’t want to be just another “Little,” so he started brainstorming ideas for a stage name that would truly help him stand out. An idea sparked by a handheld video game he had at age 13 turned into the seed of something great, and today Topnotch is living up to his name by sending out top-quality music to the world. “I do everything, in my opinion, to the top level,” he said. “I rhyme real good. I’m making it all go together from moment-to-moment to create a whole song, and the end result is a piece of art that is just good. Every little piece is good and the end result is real good. The average person doesn’t put a whole piece of work together like that anymore – they’re just trying to create a good hook that will sell. But whatever I’m making music about, when I rap I’m gonna’ try to get you looking at things from a different angle, no matter what it’s about. Topnotch is a name that fits perfectly today with what I’m trying to represent.” His new single, “Crazy Out Here,” is testament to the high-quality music he creates. Growing up on the streets of Philadelphia was tough, and this song shines a light on some of the things that go on in the neighborhood where he grew up – including a harsh look at the violence and negative behavior of so many people. It’s a song that he first developed the hook for many years back and only recently returned to in hopes of giving fans a more personal look into his life and his music. “It’s a song that’s laid back and chill,” Topnotch said. “The lyrics talk about how messed up the streets are. I think it’s something people will listen to and go, ‘That’s right. This is what goes on. Damn!’ Like all my music, I want to give you a song that says things in the best way possible. If I’m making a song about chairs, when you hear it I want it to be the best thing you’ve ever heard about chairs. I want you to say, ‘That’s the best way anybody has ever talked about chairs.’ With this single, I want it to be one of the top songs you’ve ever heard about it being crazy out here in the streets. Whatever song you hear from me, I want it to be the best way to hear a song about that.” Fans can purchase the single by visiting iTunes, or can get a sample of it on Reverbnation or on YouTube. Fans can also find out more about Topnotch by visiting his website at topnotchphi.com. And to find out more about upcoming music releases or live performances, fans can follow him on Facebook. |
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